Trash brings creative control back to the artist. Define your distortion
sound with the Trash toolbox of effects or recreate the warmth and depth
of the classic distortion sounds. Reenergize and inspire your playing
with fresh, exciting tones. Plug in, rock out, get Trashed!
iZotope Trash is the ultimate tool for selectively adding distortion to
your tracks. You.ll find just as much use for the subtler tone
enhancements to your other tracks.tape saturation for vocals, overdrive
for keyboards or a pinch of fuzz on a lead guitar, for example. Chain
pairs of distortions together or apply distortion independently to
individual frequency bands. Trash is compatible with most Mac and PC
hosts, supports 192kHz and employs 64-bit for great fidelity regardless
of how nasty you like your sound. Trash is the king of distortion.and at
a price that smokes the competition.
Multiband, Dual-Stage Distortion
Have you used all the .standard. distortion plug-ins out there, only to
find that you still end up with a thin, canned and basically unrealistic
sound? Do you wish you could combine the ease of use of the .virtual
stack. with the intelligent control of studio effect processors? Trash
combines multiband, dual-stage distortion and an intuitive user interface
to prove that all distortions are not created equal. Add a little crunch
in the midrange without muddying the lows and over-hyping the highs, give
the low end some more thump without distorting the top. Go one step
beyond standard formats and layer not one, but two types of distortion on
each of the four available frequency bands.
Plug In and Rock Out
Lose a hundred pounds immediately with the Trash diet: shed pounds of
heavy guitar amps, cabinets, and stomp boxes. Trash comes with more
components than you could fit in a studio not to mention carry. Trash.s
low-latency design means you can take your studio sound to the show. Get
the subtle tones of a recorded sound in a live performance. As a bonus,
you can forget spending the first half hour of sound check tweaking the
knobs on your amp. All you have to do is pull up your preset and go!
Turn It Up to 11
We'll give it to you straight: Trash is a killer amp simulator. Now you
can get that real overdriven amp sound and still keep the peace with your
neighbors. With 85 box models to choose from, you'll never run out of
options to get the sound you've been searching for. In addition, we went
beyond the normal boxes you find in the music stores. You.ll find
Telephones, Clock Radios, Sheet Metal, Plexiglass tubes, Piano cabinets .
and those are just a few of the extra models included with Trash. To get
the creative juices flowing, we also created a new class of cabinets that
don't exist in the material world. When it comes to amp modeling, Trash
can be as real or unreal as you want.
Not Just For Guitar
Sure, Trash sounds great on guitars, but with the flexibility of
multiband distortion, why wouldn.t you want to put everything else
through it? Put it on a mixed drum track and all of a sudden, you can
put different distortion on the kick, snare and hi-hat. Run your bass
through it to get some more crunch without the extra mud. Add it on top
of an organ sound for a nice vintage feel. Because Trash was built with
many options beyond standard amp simulation, you can really shape your
sound and create your signature tone in whatever you do. Check out the
Trash Recipe Guides for more specific ideas for your instrument sounds.
In addition to amp modeling, Trash has 36 sweepable filters and 6 delays
to choose from. The pre-filter lets you add a tremolo, wah, or any number
of more exotic effects to your sound. The buzz module gives you 6
different types of delay lines ranging from a clean, crisp digital delay
to a gritty, organic tube amplified tape delay. In addition to all the
controls you would expect, a .trash. slider lets you adjust the amount of
distortion applied to the delayed signal and an output filter lets you
shape the wet signal even more.
Usability Enhancements: Integrated Preset System
Your sounds are important to you. The integrated preset system in Trash
makes it easy to keep track of all the variations and applications of
your distortion effects. You can set up folders of presets for individual
recordings or instruments and pull them up with a couple mouse clicks.
Producers, engineers and sound designers will find this especially
useful, since you.re usually dealing with literally hundreds of sounds
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